Article courtesy of postPerspective
FimLight has introduced Baselight S and Baselight M, affordable and accessible software-only subscription versions of its Baselight grading solution running on the Apple macOS platform.
FilmLight develops unique colour grading systems, image processing applications and workflow tools.
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Baselight for macOS is a complete grading and finishing solution providing powerful, fully-featured Baselight on the Apple macOS platform. |
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Free Licence | Free Licence | 14-Day Trial |
30-Day Trial | 3-Month Subscription | |
Annual Subscription | Annual Subscription |
FilmLight introduces Baselight for macOS
March 11, 2025
Article courtesy of postPerspective
FimLight has introduced Baselight S and Baselight M, affordable and accessible software-only subscription versions of its Baselight grading solution running on the Apple macOS platform.
The making of Here – AI, VFX and colour
February 24, 2025
Article courtesy of British Cinematographer
DoP Don Burgess, VFX supervisor Kevin Baillie and colourist Maxine Gervais pulled their talents together to create a world for the non-linear story of Here, shot from a single camera’s POV.
Light Iron integrates Nara
February 16, 2025
Article courtesy of Digital Media World
Light Iron uses Nara to handle file navigation, content streaming and information sharing workflow efficient through a single, secure interface, making workflows simpler and faster.
Nara – Deep Dive
February 12, 2025
Article courtesy of Digital Production Germany
Digital Production Germany magazine editor, Bela Beier, recently talked to Nara’s Steve Britnell, Head of Technical Development, and Sam Lempp, Head of Business Development, about all things Nara.
Creating a supernatural colour grade for ‘Salt Along the Tongue’
February 10, 2025
Article courtesy of Digital Media World
Luca Guadagnino’s Queer
February 5, 2025
Article courtesy of Post
Behind the look: Disclaimer
January 30, 2025
Article courtesy of Televisual
The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC (‘Chivo’) and Bruno Delbonnel, ASC, AFC, and the colour was delivered on Baselight at Postworks NYC by supervising colourist Peter Doyle (now at Picture Shop).
FilmLight introduces REMOTE
January 29, 2025
Article courtesy of TV Technology
The Penguin: Honouring the look of The Batman
January 20, 2025
Article courtesy of postPerspective
Light Iron selects Nara
January 8, 2025
Article courtesy of Digital Cinema Report
Light Iron has selected Nara for its New York and Los Angeles facilities – streamlining its workflow solution and accessibility across sites from dailies through to finishing.
Ross Baker, head of colour, Molinare
December 21, 2024
Article courtesy of Digital Media World
Professione ‘colorist’, conversazione con Claudio Del Bravo, Frame by Frame
November 22, 2024
Article courtesy of MonitoR
Claudio Del Bravo è Senior Colorist e responsabile dei lungometraggi presso lo studio di post produzione Frame by Frame a Roma, Italia. Claudio ha maturato anni di esperienza nella color correction di vari formati tra cui: pubblicità, lungometraggi, film indipendenti, documentari e serie TV…
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